In today's cities, our everyday lives are increasingly shaped by digital media technologies. The Mobile City is a research group that investigates this new urban condition and its implications for urban design.
Bio Mark Shepard
Mark Shepard (photo by Trebor Scholz)
Mark Shepard is an artist, architect and researcher whose post-disciplinary practice addresses new social spaces and signifying structures of contemporary network cultures. His current research investigates the implications of mobile and pervasive media, communication and information technologies for architecture and urbanism.
Recent work includes the Tactical Sound Garden [TSG], an open source software platform for cultivating virtual sound gardens in urban public space. It has been presented at museums, festivals and arts events internationally, including the Contemporary Museum, Baltimore, Maryland; Conflux 2006; Brooklyn, New York; ISEA 2006, San Jose, California; SIGGRAPH 2007, San Diego, California; Futuresonic, Manchester, UK; Sonar Festival, Barcelona, Spain; The Electronic Language International Festival – FILE 2007, São Paolo, Brazil; and the Arte.Mov Festival for Mobile Media, Belo Horizonte, Brazil.
In 2006 he organized Architecture and Situated Technologies (with Omar Khan and Trebor Scholz), a 3-day symposium bringing together researchers and practitioners from art, architecture, technology and sociology to explore the emerging role of “situated” technologies in the design and inhabitation of the contemporary city.
He is an editor of the Situated Technologies Pamphlet Series, published by the Architectural League of New York and co-author of “Urban Computing and its Discontents” with Adam Greenfield. Other publications include “Tactical Sound Garden [TSG] Toolkit”, in 306090 v.9 – Regarding Public Space, published by Princeton Architectural Press; “Situating the Device” and “working title: Industrian Pilz”, in Shark, a Journal of Poetics and Art Criticism, v.1 & 2; and “Extreme Informatics: Toward the De-saturated City” in Urban Informatics: The Practice and Promise of the Real-time City.
Mark received an MS in Advanced Architectural Design from Columbia University; an MFA in Combined Media from Hunter College, City University of New York; and a BArch from Cornell University. He is an Assistant Professor at the University at Buffalo, State University of New York, where he holds a joint appointment in the departments of Architecture and Media Study, and coordinates the media | architecture | computing MArch+MFA dual degree program. He was recently a visiting researcher with the Netlab at Studio-X, a studio for experimental design and research run by the Graduate School of Architecture, Planning and Preservation of Columbia University.
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Bio Mark Shepard
Mark Shepard (photo by Trebor Scholz)
Mark Shepard is an artist, architect and researcher whose post-disciplinary practice addresses new social spaces and signifying structures of contemporary network cultures. His current research investigates the implications of mobile and pervasive media, communication and information technologies for architecture and urbanism.
Recent work includes the Tactical Sound Garden [TSG], an open source software platform for cultivating virtual sound gardens in urban public space. It has been presented at museums, festivals and arts events internationally, including the Contemporary Museum, Baltimore, Maryland; Conflux 2006; Brooklyn, New York; ISEA 2006, San Jose, California; SIGGRAPH 2007, San Diego, California; Futuresonic, Manchester, UK; Sonar Festival, Barcelona, Spain; The Electronic Language International Festival – FILE 2007, São Paolo, Brazil; and the Arte.Mov Festival for Mobile Media, Belo Horizonte, Brazil.
In 2006 he organized Architecture and Situated Technologies (with Omar Khan and Trebor Scholz), a 3-day symposium bringing together researchers and practitioners from art, architecture, technology and sociology to explore the emerging role of “situated” technologies in the design and inhabitation of the contemporary city.
He is an editor of the Situated Technologies Pamphlet Series, published by the Architectural League of New York and co-author of “Urban Computing and its Discontents” with Adam Greenfield. Other publications include “Tactical Sound Garden [TSG] Toolkit”, in 306090 v.9 – Regarding Public Space, published by Princeton Architectural Press; “Situating the Device” and “working title: Industrian Pilz”, in Shark, a Journal of Poetics and Art Criticism, v.1 & 2; and “Extreme Informatics: Toward the De-saturated City” in Urban Informatics: The Practice and Promise of the Real-time City.
Mark received an MS in Advanced Architectural Design from Columbia University; an MFA in Combined Media from Hunter College, City University of New York; and a BArch from Cornell University. He is an Assistant Professor at the University at Buffalo, State University of New York, where he holds a joint appointment in the departments of Architecture and Media Study, and coordinates the
media | architecture | computing MArch+MFA dual degree program. He was recently a visiting researcher with the Netlab at Studio-X, a studio for experimental design and research run by the Graduate School of Architecture, Planning and Preservation of Columbia University.
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As a whole pressure, he did relationships and started Tretinoin cream buy retin-a online in credit and farming.
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